Drifting - An Ambient Journey

video upload by John L Rice

"Except for some occasional knob tweaking this patch was playing itself.

Modules used:
Modcan - 58B x 2, 31B, 69B, 66B, 53B, 73B, 55B
Club Of The Knobs - C914B, C914E
Synthesis Technology - MOTM-410
Synthetic Sound Labs - 1250
Synthesizers.com - Q125

Also:
Allen & Heath - MixWizard 3 20S
Lexicon - MX400

Thanks for watching! :-)"

kNoB technology SGR1806-20 Like as Synth Voice and FX

video upload by kNoB Technology

"The second part of the review of the SGR1806-20 module.
Here I tried to show that you can use the module as a synthesizer voice.
And also, how to pass signals through the module for processing.

Time sections:
00:00​ Intro
00:03​ Use and settings as a synth voice
03:34​ Settings for running only one generator
05:03 Various settings of the module during arpeggiation.
08:44 Using SGR as an effects processor
10:33​ Using a control input for wavefolder
14:29 Using a control input for distortion
15:34 Using a Gate input for Envelope generator
18:48 Using a control input for Spread function"

Tiptop Audio Officially Releases ART Line of Eurorack Modules

via Tiptop Audio

"Today, we are celebrating the release of the first set of ART-equipped modules, marking the first time this technology is ready for purchase. We are starting with the release of the ATX1 Analog VCO, Vortex Digital OSC, Octopus USB/MIDI interface, ART V/OCT Quantizer, and Control Path dual analog envelopes plus VCA.

On our website, we have dedicated the ART landing page as the knowledge base HQ for ART. There, you will find plenty of educational videos, module video manuals, and uploaded video playlists of music filmed during beta testing. ART is simple to use and easy to understand, and with those videos, we made sure all aspects and potential misinformation have been addressed. Additionally, more information is in the process of being added in the coming days for both DIY enthusiasts and module makers on how to implement ART, including a free reference design that adds ART to Mutable Instruments Braids and Plaits.

The creative process of making music on a modular synthesizer is a unique tactile and aural experience. With ART modules, we are entering the territory of tunable instruments and polyphonic multi-timbral compositions but with the sound design power and immediate interface of a modular synthesizer. The initial release focuses on the mono VCOs that you can use to build voices quickly or combine for discrete polyphony. Very soon, we will extend the lineup with the fully polyphonic ART modules and the release of the Polytip patch cable."

Individual modules below. Systems:

Pictured Top: The Analog Bundle S1 $945 Save 33%

Middle: The Analog Bundle S2 $999 Save 33%

Bottom: Vortex 6, Octostages Poly Envelope, Octapass Poly Filter, Octagain


ART Demo Videos

ART Beta Testing recordings


ART Essentials


ART modules video manuals


Demo patches, tips for sound design

ATX1

A classic all analog saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. We consider the ATX1 the best sounding analog VCO we ever created.

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KORG Reveals Upcoming PS-3300 FS

Update: I'm hearing the PS-3300 will be available in late 2024, built-to-order, for an etimated price of $13,000.

KORG is bringing out a full-size reissue of the PS-3300. Details follow.

The PS-3300 FS is a full-scale reissue of the original Korg PS-3300, a legendary and ultra-rare synthesizer designed by legendary Korg engineer Fumio Mieda and produced by Korg in very limited numbers from 1977 to 1981.

The PS-3300 FS reissue marks a new milestone in synth history, and the latest achievement by the same Korg engineering team that brought back iconic machines such as the MS-20, ARP ODYSSEY, miniKORG 700 FS and ARP 2600.

“Bringing back to life these legendary machines is not only a process of reproducing circuits and sounds, but also of learning and embracing the essence of the philosophy and development of synthesizers.

Through this project I was able to relive the history of Korg and a critical moment in the evolution of our synthesizers. This was an extremely valuable experience that provided an opportunity for Korg's philosophy and technology to be carried on to future generations.”

- Yoshihito Yamada, Chief Engineer of Korg Analog Synthesizers

Key features
49 keys / 49 voice analog polyphony (the original model had 48 keys / voices)

3 Layers: The PS-3300 consists of three synthesizer units (PSU-3301) and a mixer & utility section (PSU-3302)

Three independent oscillators, plus multiple filters, envelopes and amplifiers for every note on its keyboard, for a total of 147 synth voices of raw analog power

Microtuning knob x12 on each PSU-3301 unit

New panel memory function (16 programs per bank and 16 banks = 256 slots)

Modernised for contemporary music use with the inclusion of USB / MIDI jacks, and a dedicated librarian app for easy preset management

Semi-modular

3-Band Resonator: Three frequency bands can be emphasised, a feature unique to the PS-3300 (original was a Cadmium sulfide circuit, but it was replaced with modern components for safety and to comply with regulations)

Keyboard unit (PS-3010) included

You can find an audio demo on KORG's website here.

Assembling the SGR1806-20 Drum Voice Eurorack Module.

video upload by kNoB Technology

"I've been asked for a while to make a video of how I solder modules, and to be honest, it's a bit embellished. Typically, I assemble modules in batches, but I pulled out one SGR to build it individually. Also, I've created a fresh demo track where all percussion sounds and some synth sounds are synthesized using it."

Luminous Trilogy & A CATALOGUE OF FM MATERIALS by Element433 ( a.k.a. Pere Villez)

via Element433 (Pere Villez)

"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.

My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."

Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.

Luminous Trilogy

video uploads by Element433 ( a.k.a. Pere Villez)

"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"

Playlist:

Walking The Dulzaina - Luminous Trilogy - Part 1

Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.

The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.

The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.

Musical Equipment Detail:

Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).

Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses). Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.

Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.

This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.

Album:
https://distrokid.com/hyperfollow/ele...

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Yamaha Introduces New Montage M - Next Gen Flagship Synthesizer - Overview & Sound Demos

video upload by Yamaha Synths Official

Curious if Yamaha will ever re-introduce their Formant & fseqs synth engine found on the FS1R. The FS1R was crippled by the UI.

Yamaha | Montage M Sound Demo
video upload by Yamaha Synths Official

"Enjoy this sound demo video showcasing sounds available in the new Yamaha MONTAGE M Series Synthesizers.

0:00 - 0:36 : AN-X Syn Orch Pat - AN-X Poly Synth with Polyphonic Aftertouch
0:37 - 1:00 : Hamburg Grand - AWM 2 Concert Grand Piano
1:01 - 1:19 : Sweet Synths - AN-X Poly Synth
1:20 - 1:48 : RD 67 Smooth - AWM2 1967 Tines E. Piano
1:49 - 2:10 : Classic Mini Sawlead - AN-X Mono Lead
2:11 - 2:35 C7 + Analog String Ensemb - AWM2 Yamaha C7 Grand Piano + AN-X String Ensemble
2:36 - 2:55 : Poly Dreams - AN-X Poly Synth
2:56 - 3:10 : SFZ Tremolo BPM Sync - AWM2 Tremolo Strings
3:11 - 3:49 : Distant Memories - AN-X Poly Synth
3:50 - 4:11 : Drawbar Organ - AWM2 Organ with YC Series VCM Rotary Speaker effect
4:12 - 4:29 : FM Piano + Soft Pad - FM-X E.Piano + Soft Pad
4:30 - 4:45 : Synthpop Forever - AN-X Poly Synth
4:46 - 5:05 : U1 Upright - AWM2 Yamaha U1 Upright Piano
5:06 - 5:31 : Dum Drum Bass - FM-X + AWM2 Poly Synth

Yamaha presents our next-generation flagship Synthesizer: MONTAGE M. Featuring three engines that create a variety of sounds – ultra-realistic instruments, vintage analog synths, and cutting-edge FM synths. For keyboardists, synthesists, and pianists, MONTAGE M seamlessly bridges stage and studio, unlocking new possibilities for sound, control and workflow."

NEW AN-X ENGINE

A revolution in authentic analog sound, control and behavior, the AN-X engine recreates the warm, classic sound of an analog synthesizer with a host of sophisticated modulation options.

･Three Oscillators with 5 waveforms (Saw 1, Saw2, Triangle, Square and Sine) and Noise Generator

･Two filters with 10 filter types

･Pulse width modulation

･Oscillator Self Sync

･Ring modulation, FM, and wave shaper

･Amp EG with drive

･LFO for both amplitude and filter,

･Voltage drift and aging settings to simulate vintage synth behavior

Integrated into the Motion Control system, the AN-X Engine allows you to create expressive, unique analog sounds to your heart’s content.

Improved AWM2
Experience realism and detail with MONTAGE M’s improved AWM2. Offering an incredible 128 Elements per part, AWM2 allows for smoother transitions, giving you an expansive canvas for ultra-high-definition sound creation, especially for “nameable” sounds such as piano and strings.

400 NOTE TOTAL POLYPHONY
A significant upgrade from the original MONTAGE’s 256 notes, MONTAGE M offers up to 400 notes of polyphony across its three engines:

･128 notes for AWM2 Preset Waveform Parts

･128 notes for AWM2 User Waveform Parts

･128 notes for FM-X Parts

･16 notes for AN-X Parts

And more about sound
AND MORE
[PRESET WAVE AND FLASH MEMORY UPGRADE] MONTAGE M offers twice the memory over its predecessor with an increase from 5.67GB to 9.97GB of Preset Wave memory, and an increase from 1.75 to 3.8GB of User flash memory. Plus, you’ll find a host of new sounds and instruments, including pianos, orchestral instruments, drums, and more!

[FM-X] MONTAGE M rekindles the Yamaha legacy of expressive and dynamic FM Synthesis with its 8-operator FM-X engine, offering a wide variety of diverse tones: from crisp and bell-like, to edgy and aggressive, to mellow and evolving. This is an excellent complement to the AWM2 and AN-X engines.

[VCM ROTARY AND DRAWBAR BEHAVIOR] Using sophisticated modeling technology, the VCM Rotary Speaker effect simulates the rich and enveloping motion of a classic rotary speaker cabinet. Plus, the new organ drawbar fader setting simulates the vintage “pull out” drawbar organ behavior.

[16 LIBRARY LOCATIONS] With 16 Library slots at your disposal, you can house up to 10,240 additional Performances (that’s in addition to the over 2,700 performances in the presets), facilitating quick searches by Category, Name and Attributes.

[PURE ANALOG CIRCUIT 2] The upgraded Pure Analog Circuit included in MONTAGE M reduces noise and improves the dynamic range, crosstalk, low-frequency phase, and distortion rate, resulting in clearer sound at all volumes. You’ll also find the sound has more detailed low-mids and presence.

GEX ACTION WITH POLYPHONIC AFTERTOUCH (MONTAGE M8x ONLY)
Available exclusively on MONTAGE M8x, GEX Action elevates your performance and sound creation with Polyphonic Aftertouch – a revered synth control found in the legendary CS-80 and DX1. Polyphonic Aftertouch allows you to individual modulate held notes with pressure. GEX also provides key repetition behavior typically found in grand pianos.

NEW PERFORMANCE CONTROLS
MONTAGE M introduces new performance controls: a 5-segment ribbon controller with dedicated HOLD button, a new KEYBOARD HOLD button for sustaining chords while using knobs to edit, and a Portamento on/off button and dedicated Portamento time knob.

DEDICATED KEYBOARD, PART AND SCENE CONTROL
You’ll find dedicated Keyboard, Part and Scene Control buttons to control 16 Parts per Performance. This intuitive control, particularly beneficial for live performances, improves overall usability and adds dimension to each Performance.

AND MORE
[HIGH-RESOLUTION CONTROL] All the Performance Controls – from the Keyboard and Faders to the Super Knob and Sustain, as well as the Sound Engine, are now in High Resolution. Because of the fine resolution, you’ll find the MONTAGE M behaves in a smoother and more “analog” way.

[MOTION CONTROL SYNTHESIS ENGINE]This groundbreaking engine allows you to interact with sounds in a variety of ways, including Motion Sequences, which dynamically automate synth and effect parameters, and can even be synchronized to tempo; the Super Knob, which controls dozens of modulations in a single gesture; the Envelope Follower, which modulates sound from the A/D input or another Part; and many, many more ways!

[NEW AND IMPROVED LED LIGHTS AND COLORS] Enhanced LED lights and colors on MONTAGE M faders, Performance, Live Set and Category Search offer visible, instant feedback, vastly improving the user interface.

WORKFLOW
Expanded Creativity

EXPANDED SOFTSYNTH PLUGIN (E.S.P.) (COMING EARLY 2024)
A game-changer for musicians, the Expanded Softsynth Plugin (E.S.P.) replicates the MONTAGE M in your favorite Digital Workstation (DAW). Free for all registered MONTAGE M owners, E.S.P. allows you to create, edit and mix MONTAGE M Performances anywhere you happen to be – without the hardware – offering an unprecedented level of stage and studio integration. We are planning on releasing E.S.P. in Early 2024. The first version will have all the MONTAGE M sound while being limited to basic editing. The full version will be available in Summer 2024.

FASTER, MORE INTUITIVE NAVIGATION
Upgraded navigation enables quick, intuitive sound editing and operation. You’ll find features like a new 512 x 64 LCD screen, 6 touchscreen display knobs, and a PAGE JUMP button that moves what’s in the LCD screen over to the larger 7” TFT Color touchscreen for deeper editing. And the dedicated Navigation button shows an overview of a Performance. Just touch a graphical object in the screen to jump to that parameter for deeper editing. The dedicated Navigation button allows you go directly from the “surface” of a sound to the deepest part.

USB MIDI AND MULTICHANNEL AUDIO INTERFACE
Simplifying your studio setup, MONTAGE M offers a USB MIDI and multichannel 32 output/6 input audio interface. Streamline MIDI recording, virtual instrument monitoring, and multi-track audio recording through a single USB cable, so you can spend more time being creative.

AND MORE
[FASTER UI] MONTAGE M’s UI is significantly speedier than the previous generation. Plus, the overall look is cleaner and easier to see.

[CATEGORY SEARCH] Search for Performances by Category (Piano, Keyboard, etc.), Sub Category (Acoustic, Vintage, etc.),Name, and Attributes (AWM2, FM-X, AN-X, etc.).

[TWO USB-TO-DEVICE PORTS] Allows simultaneous connection of a flash drive (or drives!) and USB MIDI controllers.

[DEDICATED DAW REMOTE BUTTON] Use your MONTAGE M as a hardware controller for DAWs such as Cubase, Logic, ProTools and Live. Control the mixer, transport, softsynth plugins and more.

[NEW SHIFT BUTTONS] Two new Shift buttons make it effortless to access secondary functions, increasing overall functionality.

[COLOR-CODED BUTTONS and SLIDER LAMPS] Backlit LIVE SET and CATEGORY buttons are colored differently and clearly show mode function. New slider lamps show red LED value increments, while active Parts are illuminated in blue.

Click the pics to zoom in.

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New Batch of Synthfest UK 23 Videos

video uploads by sonicstate

Playlist: (you can use the player controls to skip around)

1. Synthfest UK 23: Sequential - Trigon 6 Desktop

At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.

Trigon 6 Desktop Price: $2,499

https://www.sequential.com/

2. Synthfest UK 2023: Calc And the Prophet X

At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.

Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's

Looking for some more info on the Prophet X? Check out Sequential's official page: www.sequential.com/prophet-x/

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Synplant 2 Is Here

video upload by Sonic Charge

https://soniccharge.com/synplant2

Synplant 2 is an alien good time!

video upload by Peter Kirn

"First play with the new SonicCharge weirdness. Oh, yes."

"Synplant takes a genetic twist on sound design by moving beyond traditional knob-twisting and dial-adjusting, emphasizing exploration and discovery. Here, your ears guide you through a forest of organic textures and evolving timbres.

Genopatch Technology
Genopatch crafts synth patches from audio recordings, using AI to find optimal synth settings based on your source sample. As the strands in the user interface sprout and grow, they generate patches that increasingly match the chosen audio.

Sometimes, you will get a perfect match; other times, something new and unexpected. This balance of precision and unpredictability makes Genopatch a unique tool for sound exploration.

Genopatch runs entirely on your local computer, requiring no internet connection.

Digging into the Genome
Whether you begin from a random seed, an existing patch, or a creation from Genopatch, Synplant offers many different ways to sculpt your sound. When you are ready to delve further into the core of your patch, you can crack open your sound seeds and modify their underlying genetic code.

The new intuitive DNA Editor in Synplant 2 offers a structured layout with graphical representations for settings like envelopes, oscillator types, and filters.

Performance Features
Synplant makes it easy to create organic, multi-faceted synth patches by letting you play variations of a sound using different MIDI notes and velocities. It also offers a layer mode for creating rich, multi-dimensional sounds. There are polyphonic and monophonic play modes with portamento, tempo sync and more, further contributing to deep and versatile synth patches that are a joy to play.

Making your own sounds in Synplant is easy as a breeze, but it also comes bundled with hundreds of well-designed patches, and more are available to download when you purchase."

Groove Synthesis Introduces 3rd Wave Desktop Wavetable Synth Module

Press release follows.

Orinda, CA, Sept 21, 2023 — Groove Synthesis, an electronic musical instrument startup founded by music industry veterans from Sequential and Oberheim, has just introduced a desktop version of their acclaimed 3rd Wave, 24-voice, 4-part multitimbral wavetable synth.

The compact, keyboardless version has all of the power, features, ins and outs of the full keyboard and retains a nearly knob-per-function front panel, which makes it just as easy to program and use.

The 3rd Wave has 3 oscillators per voice, analog low-pass filters, a digital state-variable filter, 6-stage wave envelopes per oscillator, and an industry-first Wave Maker™ tool that allows users to create custom wavetables in a single step through its proprietary sample-to-wave technology. Each of its three oscillators can generate a classic PPG-era wavetable, a modern high-resolution wavetable, or an analog modeled waveform.

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it brings the concept into the 21st century with a lush, warm sound defined by its expanded wavetables and analog filters. It boasts a Dave Rossum-designed 2140 analog low-pass filter with variable saturation and resonance compensation, and a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Both can be used in series for harmonically intricate textures.

With 24-voices, the 3rd Wave can handle note-intensive performances as well as layer up to 4 parts or create 4 independent split zones — each with a completely different sound and pattern-based sequence of notes, songs, and parameters. Each part has independent panning, volume, dual effects, and a dedicated physical stereo output. Each of its 3 wavetable oscillators per part/voice has its own 6-stage, loopable wave envelope, which can create evolving soundscapes of extreme complexity.

The rest of the 3rd Wave’s sound-shaping tools include four ADSR envelopes (filter, amp, and two auxiliary) per part, four LFOs per part, and a 28-slot mod matrix per part.

The 3rd Wave Desktop Module is slated for release in November of 2023. and has a US MAP price of $3495 USD. It will be available through the Groove Synthesis network of domestic and international dealers. For more details, visit www.groovesynthesis.com.

ALAN R. PEARLMAN FOUNDATION ANNOUNCES NEW BOARD MEMBERS

Press release follows:

The ARP Foundation Strengthens its Mission

Kingston, NY, AUGUST 31, 2023– The Alan R. Pearlman Foundation has welcomed three new appointees to its Board of Directors: Chris Meyer, Collin Russell, and Andrew Schlesinger.

Chris Meyer
As a teenager in the 70s, Chris Meyer took lessons on piano, bass, and modular synthesizers. He went on to write code and help design products for Sequential Circuits, Digidesign, Tom Oberheim, and Roland R&D where he was chief engineer. He is perhaps best known as the creator of Vector Synthesis. >

Chris also taught synthesis at UCLA Extension, wrote numerous articles for Music Technology Magazine plus a column for Keyboard Magazine, and was technical chairman of the MIDI Manufacturers Association where he authored several additions to the spec including MIDI Time Code.

After a two-decade detour in the video and film industry, he recently returned to modular synthesis, creating videos, courses, and articles under the name Learning Modular, and co-authored the popular book Patch & Tweak. Proving that one who teaches can also “do”, most recently he has been focusing on composing and performing sweeping, emotional electronic music under the name Alias Zone which combines synthesizers, samplers, field recordings, and percussion instruments.

Collin Russell

Collin Russell is a composer, sound designer, and educator specializing in modular synthesis and through-composed electronic music. In addition to creating sound libraries and scoring music for films, Collin releases his own personal music in genres ranging from ambient to harsh noise. His process is rooted in the melding of traditional harmonic and rhythmic structures with organic modulations, bridging the gap between familiar and explorative sound.

Synth Gems 1 and Inspire the Music – 50 Years of Roland History.

Andrew Schlesinger

Drew Schlesinger is a renowned professional sound designer who has been involved in creating patches for synthesizers, effects and software products beginning with the Casio CZ-101 in 1984. He’s developed internal presets for over two hundred devices from thirty different manufacturers including Roland, Korg, EMU, Kurzweil, Alesis, Sony, Yamaha, Eventide, Lexicon and Sound Toys among many others.

He's recognized as one of the most prolific and accomplished sound programmers in the MI industry and has created seminal sounds and effects that include “Crystal Echoes” (Shimmer), the “Black Hole” reverb for Eventide and “Prophetic Steps” for Korg’s Prophecy synthesizer.

Drew was recently presented with the Golden Knob Lifetime Achievement Award at the Knobcon 2022 for his work in synth sound design and the contributions to the electronic music community. He’s also included in NAMM’s Oral History Series and is a frequent podcast guest.


___________________

"We’re very excited to welcome these talented professionals into our Board of Directors," said Dina Alcalay Pearlman-Ifil, founder and Executive Director of the ARP Foundation and daughter of Alan R. Pearlman. "These three new Directors are well-recognized in their fields and we’re looking forward to their contributions bringing the Foundation’s efforts to the next level.”

The ARP Foundation continues its work with contributors, collaborators, vendors, manufacturers, venues, and synthesizer owners to provide music students with access to vintage ARP synthesizers to explore the endless possibilities of electronic music. The Foundation relies on donors to continue its mission, and encourages everyone who understands the importance of music education to visit https://alanrpearlmanfoundation.org to learn more and pledge their support.

kNoB technology SGR1806-20 Drum voice Demo and Tutorial

video upload by kNoB Technology

"First Long SGR1806-20 Module Demo about the synthesis of percussion sounds"

See this post for an additional demo and info.

Ensoniq Fizmo Transwave Digital Synthesizer SN FIZMO-10250 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Ensoniq Fizmo is a 48-voice synthesizer which uses 2nd-generation Transwave technology to create very organic sounds unlike any other synth available. Every programming function has its own dedicated knob or button, and there is a limited but useful 4-character LCD display. It’s a synthesizer, pure and simple, designed for the creation of sounds you can’t get anywhere else.

This unit looks and works great and the power regulator has been upgraded. The only flaw I can find is it is missing the clear cover over the LCD Display (See Pictures)"

CLICK FOR MORE »

kNoB technology Presents SGR1806-20

video upload by kNoB Technology

"SGR1806-20 eurorack module
First mini demo, line recording
More news coming soon"

via Wikipedia:

"SGR 1806−20 is a magnetar, a type of neutron star with a very powerful magnetic field, that was discovered in 1979 and identified as a soft gamma repeater. SGR 1806−20 is located about 13 kiloparsecs (42,000 light-years)[1] from Earth on the far side of the Milky Way in the constellation of Sagittarius. It has a diameter of no more than 20 kilometres (12 mi) and rotates on its axis every 7.5 seconds (30,000 kilometres per hour (19,000 mph) rotation speed at the surface). As of 2016, SGR 1806-20 is the most highly magnetized object ever observed, with a magnetic field over 1015 gauss (G) (1011 tesla) in intensity[2] (compared to the Sun's 1–5 G and Earth's 0.25–0.65 G)."

Synthesis Technology Modules Come to VCV Rack

"Authentic re-creations of Synthesis Technology Eurorack modules

Accurate DSP models of analog circuitry

Digital firmware optimized for VCV Rack"

Playlist:
Synthesis Technology E340 Cloud Generator for VCV Rack
All sounds from Synthesis Technology E340 Cloud Generator
Synthesis Technology E350 Morphing Terrarium for VCV Rack
All sounds from Synthesis Technology E350 Morphing Terrarium
Synthesis Technology E355 Morphing Dual LFO for VCV Rack
All sounds from Synthesis Technology E355 Morphing Dual LFO
Synthesis Technology E440 Discrete OTA VCF for VCV Rack
All sounds from Synthesis Technology E440 Discrete OTA VCF

https://vcvrack.com/SynthesisTechnology

Patch created by Simon Bader. https://linktr.ee/circadiansound

The Synthesis Technology E340 is a super-saw/sine oscillator capable of generating up to 8 waveforms per output. If you want massive bass and lead voices like the JP-8000 supersaw, or thick ambient drones as if played from a slow rotary speaker, the E340 is the perfect audio source for your synth patches.

Detune the swarm of oscillators using SPREAD or with randomly filtered noise using CHAOS and CHAOS BW (bandwidth). Reset the phase of all waveforms using the SYNC trigger input, which can use another oscillator to produce a sync-lead sound.

This module supports VCV Rack’s polyphonic cables, so with 16 voices, you can generate a total of 128 waveforms per output.

This VCV Rack software module uses the original firmware from the hardware Synthesis Technology E340 module.

CLICK FOR MORE »

Black Corporation Introduces EXPANDER MK2

Black Corporation · EXPANDER MK2

Press release follows:

Black Corporation is thrilled to introduce EXPANDER MK2, a revolutionary tabletop or 6U rack mount effects processor combining the magic of both analog and digital worlds. A major evolutionary leap from our original EXPANDER, MK2 takes multi-effects processing to new heights, boasting an incredibly flexible effects system that covers everything from reverb and delay to modulation and overdrive, and much more.

With line and HI-Z inputs, the EXPANDER MK2 is perfect for a diverse range of music producers, synthesizer users, guitarists, bassists, and live musicians looking to expand their sonic horizons. The stereo and dual-mono routings offer an immense range of connections, with each channel having its own distinct effects chain. The intuitive routing matrix array of LED tact switches lets you create an endless variety of effects chains, from sending a single source to multiple effects in parallel, to cascading them in series.

EXPANDER MK2’s interface takes a knob per function approach, allowing you to dive right into new sonic territories. You can easily save and recall all your settings as presets, with complete MIDI CC functionality, foot switch, and expression pedal inputs adding even more control possibilities.

Delay: The delay section is MIDI syncable, offering both digital and analog options. The digital delay is based on the legendary PCM42, with the same discrete 12-bit ADC/DACs, optical compressor, and filters as the original. Guidance from Gary Hall, the engineer behind the original unit, has resulted in a sound as close to the original rack as possible, with the added benefit of a modern CPU and expanded memory.The analog delay, using analog BBD circuitry, offers a warmer tone with up to 820 milliseconds of delay time. Both delays feature panning controls for added spatial motion.

Reverb: As on the delay, EXPANDER MK2 boasts both digital and analog options. The digital reverb is based on the lush and spacious 224, faithfully recreated by our friends at Meris. The spring reverb uses two 17” tanks (one for each channel) each equipped with an EQ and digital pre-delay section.

Modulator: The modulator is a ring modulator section with enhanced functionality. The first being a quadrant multiplier ring modulator for clean, modern silicon chip-based sounds, and the second, a vintage-style, harmonically rich transformer and diode based ring. The modulator also includes a reference oscillator with an attack and release envelope controlling its pitch, similar to that on DECKARDS’S DREAM’s predecessor, the CS-80.

Chorus: The chorus section features two distinct BBD chorus lines, with manual controls for speed and depth, to add subtle stereo widening or intense, turbulent animation. For fans of the classic four-button chorus, those presets are in there too! Phaser: The phaser section includes an analog OTA- based 12-stage phaser circuit for warm, psychedelic phaser effects, as well as an optical phaser to get a classic Krautrock sound.

Insert / Resonator: The Insert / Resonator section allows you to patch in outboard effects into any part of the effects chain. The resonator component can be used as a subtle EQ to sculpt the tone or can be modulated by the LFO section to create animated resonant or panning effects. The insert returns and sends can occur pre or post-resonator and can also be used as an extra input and output to route multiple signals. When used in parallel, these can turn EXPANDER MK2 into a 4-channel effects processor.

Overdrive: The overdrive section uses Korg’s groundbreaking Nu-Tube micro tube technology to add subtle texture and warmth to any sound, from guitars, synths, drum machines or vocals to anything in between. When pushed further, it can create screaming distortion, perfect for anyone looking to turn up the heat.

LFO: The LFO section features a multitude of LFO’s routable to nearly any destination of the other sections, adding life and movement throughout the signal path.

A convenient selection of connections on the back panel of EXPANDER MK2 includes balanced inputs and outputs, stereo send and return (via individual 1/4′′ jacks or using a common DB25 connector), expression and switch pedals, USB, and DIN MIDI. Additionally, the front includes a convenient HI-Z input for guitarists or any instrumentalist with quieter outputs to plug and play right away. EXPANDER MK2’s natural wood sides can be switched out for included rack ears.

EXPANDER MK2 is a vintage effects inspired powerhouse pushing the boundaries of sound in a

robust, studio form factor. Its hands on capabilities and nearly endless routing options make it an outstanding companion to any production or live set up!"

LFusion Dual Analog VCO 16HP Eurorack module demo review - Linear, Exp & Thru-Zero FM, Triangle core

video upload by

"Reworked video demo - Music first, explanation second. Introduction to new L-Fusion Electronics Dual Analog Triangle Core Voltage Controlled Oscillator (VCO) compact 16HP Eurorack Synthesizer module with linear, exponential and through-zero FM modulation, sub oscillator and integrated crossfaders. For best sound experience use headphones or studio monitors.

Module can be ordered here:
on Reverband eBay

This fully analog Eurorack Synthesizer module offers two identical VCOs - each oscillator is based on super stable analog SSI2130 VCO IC served by 46 opamps doing precision analog math. In total there are 34 analog ICs (Integrated Circuit chips) and 449 other parts. This video demo was made using two of these modules or 4 VCOs in total spread across 3 voices.

In analog VCO sound wave is generated by charging and discharging precision capacitor controlled by temperature compensated exponential converter, generated triangle wave then goes to wave shapers producing different wave forms. Such technology outputs supreme audio quality.

Pitch is tuned to standard 1 volt per octave, oscillator provides excellent tracking across 10 octaves, it can be tuned with precision of +-1 cent or 0.01 semitone."

via this auction

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L-Fusion Dual Analog Triangle VCO 18HP Eurorack module review

video upload by LFusion Electronics

Update: Reworked video demo - Music first, explanation second.

The module is now available on Reverb.

"Introduction to Dual Triangle Core Voltage Controlled Oscillator – Fully analog 18HP Eurorack module, contains two identical VCOs, each oscillator is based on super stable analog SSI2130 VCO IC served by 46 opamps doing precision analog math. In total there are 34 analog ICs and 449 other parts.

In analog VCO sound wave is generated by charging and discharging precision capacitor controlled by temperature compensated exponential converter, generated triangle wave then goes to wave shapers producing different wave forms. Such technology produces supreme audio quality.

Pitch is tuned to standard 1 volt per octave, oscillator provides excellent tracking across 10 octaves, it can be tuned with precision of +-1 cent or 0.01 semitone, this is very precise as human ear can detect detuning from around 3 to 5 cents.

Module can be ordered on E-Bay:"

via this auction

"Dual analog triangle core voltage controlled oscillator (VCO) 16HP Eurorack module with through zero FM modulation based on SSI2130 ICs that provide precision analog exponential converters, oscillator cores, waveshapers as well as high quality voltage controlled amplifiers for wave mixing. Each VCO in the module outputs sine, triangle, saw and square/pulse waves,also voltage controlled mix of them with sub oscillator an octave below controlled with integrated crossfader mixer.

Both oscillators can be modulated with exponential and linear FM, as well as through zero FM/PM and pulse width CV. To ease modulation for each oscillator we have added separate sine outputs with variable gain controlled with modulation knob.

Module also offers master crossfader to mix the outputs of the two oscillators, octave selector switch for each oscillator, as well as knobs for shape, pulse width, pitch and fine tuning. Module is designed using precision voltage reference and other high quality components to achieve +/-1ct (+/-0.01 semitone) tuning across 10 octaves- well below human ear pitch sensitivity which is around 3-5ct.

All inputs and outputs are ruggedized - able to handle rail to rail voltages +12V..-12V."

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New Waldorf Quantum MK2 Keyboard Synthesizer Adds Poly Aftertouch & More

via Waldorf

Highlights:

polyphonic aftertouch
Every finger gets its own expression:
First of its kind Fatar TP8/SK polyphonic aftertouch keybed with 61 keys.

extended sampling
Increased internal flash memory to 59 GB for samples and 3.4 GB for presets & wavetables.

hybrid polyphony
Extending 8 analogue filter voices with digital filter ones for reaching up to 16 voices in any combination.
The best of both worlds together.

design
Updated colour and material selection.
High quality display with extended viewing angle and improved mechanics.

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Physical Synthesis Cicada Acoustic Vibration Synthesizer & Nymph Eurorack Module Update

video upload by Physical Synthesis



You might remember the Physical Synthesis Cicada - Acoustic Vibration Synthesizer posted back in April of 2021 - you'll find a playlist of demos there. The initial run was sold out. They are now teaming with USA-based distributor Electro Distro on a new run of Cicadas as well as a Nymph eurorack module.

The press release follows:

NEW YORK, NY, USA: having sold out of its initial production run, unique products-producing hardware startup Physical Synthesis is proud to announce that it is working with San Clemente, CA, USA-based distributor Electro Distro’s growing global network of dealers (https://www.electro-distro.com/dealers) to bring its game-changing Cicada — an ‘acoustic synthesizer’ that transforms electronic signals into physical vibrations that can be fully manipulated before being reconverted back into a new, never-heard-before electronic sound — to a wider audience in advance of Nymph, its upcoming Eurorack module…

It is fair to say that every once in a while, a moment comes along whereby human interaction with sound changes completely. Cicada is effectively one of those moments — one of those new instruments that moves the needle in music technology. Indeed, it is pioneered by unique products-producing hardware startup Physical Synthesis as an ‘acoustic synthesizer’ that transforms electronic signals into physical vibrations that can be fully manipulated before being reconverted back into a new, never-heard-before electronic sound. Says company founder Spencer Topel: “Cicada was the first step in introducing physical synthesis methods to the synth community; it is an award-winning interface that really lets musicians explore microscopic sounds with precise control.” Clearly, Cicada made musical waves when winning the Judge’s Special Award at the Guthman Musical Instrument Competition 2022, hosted by Georgia Tech School of Music — one of the few schools in North America that offers Music Technology as a major in undergraduate, graduate, and Ph.D levels of study — as an annual event dedicated to identifying the newest and greatest ideas in music.

Musical waves notwithstanding, ‘noise' is a subjective term; while electromechanical devices like speakers or headphones try to minimise the distortion inevitably introduced in physical systems, Cicada is designed to precisely exploit these distortion products as the basis of a new kind of synthesis. Cicada converts voltages to vibrations in a mechanical oscillator to create intermodulation — the addition of frequency content in a nonlinear system — in place of typical analogue or digital oscillators. By bringing the signal chain into a physical space, Cicada allows users to shape such content with natural, tactile gestures that truly transcend twiddling with a knob or pushing a slider. “As a violinist and composer, my experience of creating sound is highly physical,” proclaims Spencer Topel, adding: “With Cicada, I wanted to make an instrument that connects these elements, allowing musicians to produce complex, compelling sounds, but through tactile interaction.”

Insofar as actually doing what it does, Cicada receives two Eurorack-level signals that drive oscillation in a cantilevered Bridge positioned atop a Soundboard at an adjustable height. Digging deeper, distortion caused by the Bridge-Soundboard interaction adds frequency content to the input, determined by the specific qualities of the system. Self-explanatory Polycarbonate Soundboard, Foam Soundboard — made of EVA (Ethylene-Vinyl Acetate) foam, and Wood Soundboard — made of Birdseye maple — options each provide a range of resonating/filtering properties that combine uniquely with the likes of the Coral Wing Bridge — tip made of solid oak (resulting in a bright, clear tone), Coral Dual Tip Wing Bridge — tip made of premium rubber (allowing for a hard, precise attack with a balanced low-end), and Grey Wing Bridge — tip made of soft neoprene foam (resulting in a mellow, balanced acoustic effect); each pairing opens up a portal to a distinct sonic universe.

Users can dynamically change the system (and, therefore, how it is transforming signals) by adjusting the Bridge height, changing the region and degree of contact between Bridge and Soundboard, or applying pressure to either — effecting real-time, tactile timbral control, in other words. With that being said, premium vibration damping materials, such as Delrin, and custom circuitry minimise unwanted noise, allowing the intermodulation products to shine, while the output, captured by a pickup microphone positioned beneath the Soundboard, can be monitored directly, processed modularly, or recorded into a DAW (Digital Audio Workstation).

With behaviours akin to those exhibited by a traditional acoustic instrument, Cicada is highly responsive to differences in the excitation mechanism — the input signal, in other words. As an example, striking a snare drum with a stick or using it with brushes produce vastly different-sounding results; driving Cicada with quiet or loud, spectrally simple or complex, or bass- or treble-heavy signals similarly yield very different timbres.

Though Cicada is designed to work with a Eurorack setup out of the box, one of its strengths lies in its inherent flexibility. Indeed, it can just as easily receive signals from a DAW, boosted to the appropriate 5-10Vpp level via an outboard mixer. Moreover, the choice of input is completely left open to the user: an Ableton Live loop run through Cicada acting as a physical filter to provide timbral variety over time, for example; an LFO (Low Frequency Oscillator) from a Eurorack module, generating rich percussive tones on the maple Soundboard as the foundation of a beat; or a harmonically dense signal — similar to the output of a Max/MSP FM patch (which many would, without doubt, prefer to navigate physically rather than digitally) — made by moving the Bridge around the Soundboard to amplify certain harmonics and suppress others, finding a grittier sound with the Bridge barely touching or coaxing a more ethereal tone with it centred and depressed.

Endless exploration possibilities are a given, guaranteeing that any sonically-ambitious Cicada user is likely to while away the hours playing with input signals, system configurations, gestures, modulation combinations, and more.

It is hardly surprising, then, that Physical Synthesis sold out of its initial Cicada production run, really hitting a home run by counting luminaries like renowned electronic music composer and performer Hainbach — citing Cicada as being “The Tesla of electro-acoustic workstations, miles ahead of standard piezo and solenoid boxes...” — and Ableton CEO Gerhard Behles amongst its fan base, and has now turned to working with US-based distributor Electro Distro’s growing global network of dealers to bring its game-changing ‘acoustic synthesizer’ to a wider audience. “I want to bring acoustic synthesis to a wider range of musicians,” maintains Spencer Topel, before ending on a high note: “We are building some really exciting expansions of Cicada to different formats, including a Eurorack module called Nymph, which is coming soon.”

Physical Synthesis’ ‘acoustic synthesizer’ is now available as Cicada Founders Edition Extended — encompassing two dual AMPs, one PRE, one Actuator, five Bridges, three Soundboards, three Meanwell power supplies, three custom SATA Cables, and one custom Nanuk 935 Flight Case — for $2,700.00 USD or as Cicada Pro Series individual modules — starting at $79.00 USD — via San Clemente, CA, USA-based distributor Electro Distro’s growing global network of dealers (https://www.electro-distro.com/dealers) or directly from Physical Synthesis’ online Shop (https://shop.physical-synthesis.com).

For more in-depth information, please visit the dedicated Cicada webpage here: https://www.physical-synthesis.com